TOP10 i kinematogarfise boterore

Eshte e vertete qe ka patur, ka dhe do te kete gjithmone shume anketa ne lidhje me filmat më të mirë (te mëdhenj, te bukur, … ) te historise se kinemase.

Nga anketat më serioze konsiderohet ajo e revistes britanike “Sight & Sound” qe organizohet cdo 10 vjet. Revista i kerkon, çdo 10 vjet, 250 personaliteteve te kinematografise klasifikimin e tyre per filmat me te medhenj ne historine 100 vjeçare te kinemase. Ne 5 anketat e 50 viteve te fundit, i palëvizshem nga vendi i pare, pothuaj ne unanimitet, … “Citizen Kane” i Orson Welles-it !

Gjithsesi, voilà klasifilimi i fundit, qe daton i 2002-shit :

1 – Citizen Kane (1941) – Orson Welles 
2 – Vertigo (1958) -Alfred Hitchcock 
3 – La Regle du jeu (1939) – Jean Renoir 
4 – The Godfather -I, II ( 1972 & 1974) – Francis Ford Coppola 
5 – Le Voyage à Tokyo (1953) – Yasujiro Ozu 
6 – 2001 : a space odyssey (1968) – Stanley Kubrick 
7 – Sunrise (1927) – Friedrich-Wilhelm Murnau 
8 – Battleship Potemkine (1925) – Sergei Mikhailovich Eisenstein 
9 – “8 e 1/2” (1963) – Federico Fellini 
10 – Singin’in the Rain (1951) – Stanley Donen et Gene Kelly 

Ne klasifikimet e meparshme, si dhe ne anketat e ndryshme te revistave serioze te kinematografise, figurojne here pas here edhe filmat e meposhtem :

  • La nuit du chasseur (Charles Laughton, 1955)
  • Barry Lyndon (Stanley Kubrick, 1975)
  • Apocalypse Now (Francis Ford Coppola, 1979)
  • Casablanca (Michael Curtiz, 1942)
  • La dolce vita (Frederico Fellini, 1960)
  • The mirror (Andrei Tarkovski, 1974) 
  • The Searchers (John Ford, 1956) 
  • Touch of Evil (Orson Welles, 1957)
  • Les vacances de Monsieur Hulot (Jacques Tati, 1953) 
  • Eyes wide shut (Stanley Kubrick, 1999) 
  • Il Gattopardo (Luchino Visconti, 1963)
  • Some Like it hot (Billy Wilder, 1959) 
  • Mort à Venise (Luchino Visconti, 1971) 
  • Mulholland Drive (David Lynch, 2001) 
  • 7 samouraïs (Akira Kurosawa, 1954)
  • Der Himmel uber Berlin (Wim Wenders, 1987)
  • Amarcord (Frederico Fellini, 1973) 
  • Once upon a time in America (Sergio Leone, 1983)
  • The Birds (Alfred Hitchcock, 1963)
  • Le mépris (Jean-Luc Godard, 1963) 
  • Fanny et Alexandre (Ingmar Bergman, 1981)
  • L’avventura (Michelangelo Antonioni, 1960)
  • Los Olvidados (Luis Bunel, 1950)
  • The Third man (Carol Reed, 1949)
  • It’s a wonderful life (Frank capra, 1949)
  • Metropolis (Fritz Lang, 1925)
  • Modern times (Charlie Chaplin, 1936)
  • Hiroshima mon amour (Alain Resnais, 1959)
  • Persona (Ingmar Bergman, 1966)

 

 

 

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