TOP10 i kinematogarfise boterore

Eshte e vertete qe ka patur, ka dhe do te kete gjithmone shume anketa ne lidhje me filmat më të mirë (te mëdhenj, te bukur, … ) te historise se kinemase.

Nga anketat më serioze konsiderohet ajo e revistes britanike “Sight & Sound” qe organizohet cdo 10 vjet. Revista i kerkon, çdo 10 vjet, 250 personaliteteve te kinematografise klasifikimin e tyre per filmat me te medhenj ne historine 100 vjeçare te kinemase. Ne 5 anketat e 50 viteve te fundit, i palëvizshem nga vendi i pare, pothuaj ne unanimitet, … “Citizen Kane” i Orson Welles-it !

Gjithsesi, voilà klasifilimi i fundit, qe daton i 2002-shit :

1 – Citizen Kane (1941) – Orson Welles 
2 – Vertigo (1958) -Alfred Hitchcock 
3 – La Regle du jeu (1939) – Jean Renoir 
4 – The Godfather -I, II ( 1972 & 1974) – Francis Ford Coppola 
5 – Le Voyage à Tokyo (1953) – Yasujiro Ozu 
6 – 2001 : a space odyssey (1968) – Stanley Kubrick 
7 – Sunrise (1927) – Friedrich-Wilhelm Murnau 
8 – Battleship Potemkine (1925) – Sergei Mikhailovich Eisenstein 
9 – “8 e 1/2” (1963) – Federico Fellini 
10 – Singin’in the Rain (1951) – Stanley Donen et Gene Kelly 

Ne klasifikimet e meparshme, si dhe ne anketat e ndryshme te revistave serioze te kinematografise, figurojne here pas here edhe filmat e meposhtem :

• La nuit du chasseur (Charles Laughton, 1955)
• Barry Lyndon (Stanley Kubrick, 1975)
• Apocalypse Now (Francis Ford Coppola, 1979)
• Casablanca (Michael Curtiz, 1942)
• La dolce vita (Frederico Fellini, 1960)
• The mirror (Andrei Tarkovski, 1974) 
• The Searchers (John Ford, 1956) 
• Touch of Evil (Orson Welles, 1957)
• Les vacances de Monsieur Hulot (Jacques Tati, 1953) 
• Eyes wide shut (Stanley Kubrick, 1999) 
• Il Gattopardo (Luchino Visconti, 1963)
• Some Like it hot (Billy Wilder, 1959) 
• Mort à Venise (Luchino Visconti, 1971) 
• Mulholland Drive (David Lynch, 2001) 
• 7 samouraïs (Akira Kurosawa, 1954)
• Der Himmel uber Berlin (Wim Wenders, 1987)
• Amarcord (Frederico Fellini, 1973) 
• Once upon a time in America (Sergio Leone, 1983)
• The Birds (Alfred Hitchcock, 1963)
• Le mépris (Jean-Luc Godard, 1963) 
• Fanny et Alexandre (Ingmar Bergman, 1981)
• L’avventura (Michelangelo Antonioni, 1960)
• Los Olvidados (Luis Bunel, 1950)
• The Third man (Carol Reed, 1949)
• It’s a wonderful life (Frank capra, 1949)
• Metropolis (Fritz Lang, 1925)
• Modern times (Charlie Chaplin, 1936)
• Hiroshima mon amour (Alain Resnais, 1959)
• Persona (Ingmar Bergman, 1966)